Thursday, May 13, 2010

Black Keys Only

Consider the following three scales:

(i)   Malkaus (on Bb Scale): S g m d n S' *
      [All black keys - last from group of 3 + group of 2 + group of 3]

(ii)  Pentatonic Scale 1:  C# D# F# G# A#    
      [All black keys - group of 2 + group of 3]
      [Intervals: W W+1/2 W W]

(iii) Pentatonic Scale 2:  F# G# A#  C# D#
      [All black keys - group of 2 + group of 2]
      [Intervals: W W+1/2 W W]

Are they common enough to create a fusion music? I am tempted to say YES!

Too complicated to comprehend? Think about "Gori Tera Gao Bara Pyara" starting from D# (Eb)

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*Indian Music Nomenclature:

S = Sa
r = (komal) Re,  R = Re
g = (komal) Ga,  G = Ga
m = (kodi)  Ma,  M = (tibra) Ma
P = Pa
d = (komal) Dha, D = Dha
n = (komal) Ni,  N = Ni
' = upper octave
, = lower octave

A Little Theory Doesn't Hurt

I have been reading the Wikipedia links on music theory for a while. However, I found that it is a challenge to filter through the comprehensive source of information, and capture the "essentials". By "essentials" I mean the bare minimum which I feel is required to imbibe and use for any fusion music (see my previous post).

Today, motivated by my frustration, I decided to attempt a one-page summary which is useful to me (and perhaps some of my friends). I was about to start on arduous task of creating the summary. But then I hit the jack-pot!

This is one instance where I am very happy to find that someone is already ahead of me in implementing my ideas!! :)

I can see the following two pages of tremendous use for creating fusion music!
a) Intervals and Scales
b) Chords and Symbols

The least I can do is to share this with my musician friends! :)

Sunday, May 9, 2010

Getting The Blues!

I have been thinking of studying Blues and Hindustani Classical Ragas in a unified way. I have been thinking about doing this for a very long time. There is a commonality which has been haunting me for (at least) the last ten years. It is difficult for me to quantify what the commonality is and express that in words. Perhaps, the best I can do is to say that both form of music trigger very similar emotions inside me.

So, why get started today?

It's because of a recording which I heard yesterday. It is a scintillating composition based on Raga Jog (vocals) and some 7th chord progression (on electric guitar) made by some of my friends. [There was tabla too, but unfortunately it didn't get recorded well]. The composition has a very impromptu flavor to it. The recording was done is a very casual setting - just one take and some very patient editing (mainly to remove the pauses and conversations between the performers). The final output is breathtaking!

How could they unify Blues chord progressions with Raga Jog in such an effortless way? It seems that they composed and played without even thinking much about it! I have been trying to study Blues music on and off (not rigorously ... I have work, family, kids and an active social life :) ). I made a deliberate attempt to indulge myself in some of the technicalities of Blues by taking saxophone lessons last year. I have even attempted various compositions on Raga Jog in the past. But it never struck me that Blues form of music and Rag Jog can be unified using 7th chord progressions!

I feel I need to begin my quest along with my friends instead of trying alone. Some of my friends are great music enthusiasts. Some of them very talented musicians themselves. I think it is high time I stop reading Wikipedia links and start asking my them!

No wonder I have been getting the blues for the last ten years. Or should I say that I didn't get it at all!